不銹鋼鏡面，有許多六邊形小鏡面。
圍繞著這件大型裝置作品，是本次展覽中的第二個(gè)亮點(diǎn)：九幅架上繪畫。作為一個(gè)雕塑藝術(shù)家，卡普爾的架上繪畫很少現(xiàn)身美術(shù)館。這次展出的九幅繪畫是一系列基于墻壁的作品，畫面由一層層油畫顏料組成，再通過薄薄的薄紗覆蓋，從鮮艷的深紅色到深黑色，沖擊性的視覺效果營造出一種神秘感。
Nine easel paintings are the second highlight of this exhibition， which is surrounding by“My red homeland”． Kapoor＇s easel paintings rarely appear in art galleries． The nine paintings are a series of works based on the wall． They are composed of several layers of oil paint， which are covered with thin gauze． The color of pictures changes from bright crimson to dark black， which createsan impact visual effect and a sense of mystery．
真實(shí)與虛幻在展館中交織而行，緊鄰《我的紅色家鄉(xiāng)》旁的是一組以鏡面為題的不銹鋼藝術(shù)裝置。
In the exhibition hall， you can see how reality and illusion interweaves． Next to“My Red Hometown”， there is a group of stainless steel art installations．
“在鏡子中，你所看到的這個(gè)世界都是顛倒的，方位是上下相反的，它也意味著一種“虛無與空洞”，那么當(dāng)我們?nèi)タ创镔|(zhì)世界的時(shí)候，它是具有欺騙性的。物質(zhì)的存在是相對(duì)的，這也是我的整個(gè)作品或者我的創(chuàng)作的一個(gè)核心的理念。”卡普爾說。
＂The reflected image is the border between reality and a dream－world or apparition； it has no substance and is the instant which follows the changes in reality．＂ Kapoor said．